First Ducklings Grow

Jun. 20th, 2026 07:16 pm
yourlibrarian: Mama duck and babies (NAT-EdwinaBabies-yourlibrarian)
[personal profile] yourlibrarian posting in [community profile] common_nature


Those ducklings I posted about in earlier weeks are growing fast! What's more, to our complete amazement, this is the first brood we've seen on our lake where not one duckling has been lost during that time. All twelve are still here!

Read more... )

Speak Up Saturday

Jun. 20th, 2026 04:11 pm
feurioo: (tv: royal bff)
[personal profile] feurioo posting in [community profile] tv_talk
Assortment of black and white speech bubbles

Welcome to the weekly roundup post! What are you watching this week? What are you excited about?

Star City 1.05

Jun. 20th, 2026 01:51 pm
selenak: (Spacewalk - Foundation)
[personal profile] selenak
In which the point stretching my credulity turns out to be someone leaving their large apartment in Moscow unlocked, but otherwise I loved the episode.

Spoilers would not want to work for Lyudmilla Rostokova )

Rusty Quill Mini Bang 2026

Jun. 20th, 2026 10:21 am
pilesofnonsense: (Default)
[personal profile] pilesofnonsense

Rusty Quill Mini Bang

Welcome to the home of the Rusty Quill Mini Bang - a large-scale event bringing writers and artists together to create an explosion of fan content for Rusty Quill podcasts! Feel free to share this information with whoever and wherever you think might be interested!

Please read the following carefully to understand what will be expected of you as a participant. You can also find further information in our FAQ on Tumblr. All updates will be posted to our Tumblr.

Schedule for 2026

  •   Writer Sign-ups: July 5th-12th
  •   Full First Draft & Summary Due: August 30th
  •   Artist Sign-ups: September 6th-13th
  •   Final Fic & Art Due: October 18th
  •   Posting: October 30th 23.00 GMT 

All deadlines at 23:00 BST / 5pm CDT unless otherwise stated. 

Fandoms: Rusty Quill Gaming, The Magnus Archives, The Magnus Protocol, Stellar Firma, Inexplicables, Chapter & Multiverse, Trice Forgotten, Neon Inkwell, Cry Havoc!

Note: this event is for Rusty Quills original podcasts only. Network Shows are not included in this event.

Participation Requirements: 

You must choose whether to join the Big Bang as an artist or writer. You may not do both.

Writers will require an AO3 account; if you do not have an AO3 account, please request one via AO3’s login page, or message the mods for an invite.

Artists will need somewhere to host their work, so that it can be embedded on AO3.

If you wish to write or create for M or E rated fics you must be aged over 18.

All participants must read and adhere to the Expected Conduct guidelines (see below).

Minimum Final Word Count: 5,000

Maximum Number of Fics per Writer: 1

Maximum Number of Writers per Fic (collaboration): 2

Fic Draft Requirements: At the draft deadline (August 10th), we will require a complete draft of at least 4,000 words. “Complete” means that the fic is written from start to finish with no indispensable scenes missing or left as outlines—think, “If I posted this right now, would I be happy with the story it tells?”

Ideally, you will refine and polish your draft in the remaining time, but it can also be your final draft if you prefer.

Drafts will be handed in via a form that will be sent out to you before the deadline. Drafts should be available in Google docs, or if need be in PDF format.

Summary Requirements: A form for the summary will be sent out to you before the deadline. Summaries should briefly outline the general premise, and include rating, ships, triggers and other warnings, and any other relevant details.

Fic Requirements: Fics of any rating and with any warnings are permitted, as long as they meet the minimum word count (5,000), are centered around at least one Rusty Quill original podcast (The Magnus Archives, The Magnus Protocol, Rusty Quill Gaming, Stellar Firma, Inexplicables, Chapter & Multiverse, Trice Forgotten, Cry Havoc!, Neon Inkwell), and are tagged appropriately. We encourage authors to take this opportunity to challenge themselves to take on a project that they might not otherwise—though please consider what is realistic in terms of the deadlines as well!

Fics must be stand-alone (requires no knowledge of previous fics to enjoy), complete (resolves all main plotlines within the story, as opposed to being part I of a trilogy, etc.), and previously unposted

Fics must be posted on the same day as the corresponding art.

Crossovers are allowed, but the focus should be on the RQ podcast involved. For example: a fusion crossover with the Leverage Team replacing the LOLOMG in the RQG!verse would not be permitted, though the RQG characters in the Leverage!verse would be.

Please be aware that fics with obscure crossovers, common squicks, higher ratings, etc., may be more difficult to match, and thus take a little longer to get snapped up. We will do our best to find you a suitable match, though!

If you have any questions about the suitability of your fic, please contact the mods.

Art Requirements: At least one fully finished piece of original artwork (traditional or digital colored/shaded drawing or painting, completed cross-stitch or knitting project, etc.) or full podfic. Compilations or arrangements of existing art, such as playlists or moodboards, should not be your primary piece for this challenge, though you are welcome to include them as a bonus (see below).

We hope that artists, like the writers, will take this opportunity to challenge themselves—whether by attempting an ambitious work in their primary medium, finding new means of creative expression, or sharing an extra tidbit inspired by their work on this project (e.g. sketches, a playlist, a comment about the fic and the process of creating for it, etc.).

Art must be posted on the same day as the corresponding fic.

If you have any questions about the suitability of your art, please contact the mods.

Art Draft Requirements: Your draft should show significant progress on your piece. For a digital drawing, for example, the minimum would be completed lineart, ready for coloring. For handcrafts, your project should be about halfway done.

As always, if you are unsure what qualifies when it comes to your medium or process, you can contact us!

Maximum Number of Fics per Artist: Initially, each artist will only be able to sign up for 1 fic (they may create as much art for this fic as they like). 

Artists who would like to create for more than one fic can indicate this in their sign-up, and will be contacted during matching if this is necessary. You may also sign up as a pinch-hitter to be contacted in the event that another artist drops out.

Matching Process: The artist sign-up will include a list of the anonymised fic summaries. Each artist will select 3 fics which they would be interested in creating for, with additional preferences (favourite show/shows they do not follow, OTPs and NoTPs, Do Not Wants, etc.) indicated in the comment field. Mods will then match writers to artists, taking preferences into account as much as possible.

If fics are oversubscribed or if it is otherwise necessary for matching, they may be removed from the list of eligible fics before the end of artist sign-ups.

If you have an issue with your match, please let the mods know as soon as possible.

Do Not Wants: In this event, you will have an opportunity to Do Not Want (DNW) the types of content that you do not wish to work on. Similarly, if you’ve had conflicts with certain people in the past and do not want to risk matching to them, you can include this in your sign-up or draft submission, and we will avoid matching you with them (details of these will not be shared beyond the mod team). 

The mods will always account for DNWs within reason; however, attempts to manipulate matches via DNWs or otherwise acting in bad faith will result in the rejection of your sign-up or draft. We are also not private detectives, and will thus not be fielding any requests such as “do not match me with anyone who has ever drawn/written XYZ.” Please keep that in mind when considering whether this event is right for you.

Beta Readers:  We do not require any fics to be beta-read. If you’re seeking a beta reader, unfortunately this year we cannot facilitate beta reader matchups as a part of the event. You’re welcome to use whatever your usual avenues would be for finding a beta reader, and you may ask in our event discord to see if anyone would be able to help out.

Pinch Hitters: In the event that we cannot find an artist match for a fic via the standard matching process, or a previously registered artist needs to drop out, we will contact those who have registered as pinch hitters to help out. Pinch hitters are free to opt out of any requests we send; we just ask that you do reply promptly.

If you wish to only sign-up as a pinch hitter and not participate as a general artist, please send us a mail to pilesofnonsense@gmail.com and we’ll get in contact with you.

Discord: Writers, artists, and anyone else involved in the event are all welcome to join our Discord for RQ Big Bang chatter! Links will be included in participant confirmation emails; please do not share these links, as they are created to meet our participant numbers.

Expected Conduct: 

  • By signing up for this event, you agree to do your best to meet the deadlines. If you might need a little more time, please email the mods to explain your situation before the deadline passes. Those who miss deadlines without contacting the mods beforehand may be dropped from the event without further contact.
  • In order to participate in this event, you must be willing to contact the mods directly in the event that you have a question, concern, or issue with your participation (as in the deadline example above). We are happy to help participants with anything that arises, but cannot accept “telephone”-style communiques on behalf of others.
  • Be in regular contact with your match—if you’re going to be offline for a significant length of time, let them know. Radio silence from your match in events of this kind can be very concerning. (If you are having trouble getting in touch with your match, please contact us!)
  • Please take care to credit your artist/writer in your own final post.
  • Our Discord server has its own list of rules, which are listed within the server. If you decide to join the server, we require you to read and abide by those rules.
  • Be kind and courteous towards your match and fellow participants. This naturally means that all forms of bigotry and discrimination are prohibited, but even where those are not at play, you are expected to treat others with respect.
  • We, like Rusty Quill, have an “all headcanons are valid” policy. Harassment or mockery of those with different interpretations will not be tolerated. This does not mean you cannot discuss how you see the characters with others or that your artist/writer should not take it into account at their discretion, but insistence that any one interpretation must be adhered to is not allowed.
  • If you have concerns that a work or participant may be in violation of the rules, please bring it to the mods directly. Harassment of other participants (including but not limited to callout posts, name-calling, baiting, etc.), either publicly or in the Piles of Nonsense discord server, over their identities, fanworks, or headcanons will result in an instant default.



 



malurette: (yoko)
[personal profile] malurette posting in [community profile] glyfic
Titre : Protégée
Auteur : [personal profile] malurette
Base : Yoko Tsuno
Personnages : Synda et Monya
Genre : gen
Gradation : G / K
Légalité : propriété de Roger Leloup, je ne cherche ni à tirer profit ni à manquer de respect

les idées adjacentes au tournoi des femmes de nos vies ♥
Taille :

Analyse-moi ça ? )
queenslayerbee: painting of a hand sprouting leaves from its fingertips, blurred. (fairy (all about eve[s]))
[personal profile] queenslayerbee
I have a few 2024 fics left to crosspost, but at the moment, we're taking a turn towards 2025. Here I'll post the few fics I wrote for Duke Thomas Week, starting with this drabble ^-^

Title: round robin.
Fandom: DC comics (Batman / We Are Robin).
Character/Pairing: Duke Thomas, Colin Wilkes.
Rating/Warnings: T, none.
Summary: Day I: Community | Old Friends and New Friends. A tiny look into the Robin movement in the New Earth continuity.
Word count: 100.

read more
-

Gotham’s gray snow had yet to melt, but a new flock of Robins sang in the streets all the same.

They started small: handing blankets, food, medicine; passing messages. Young and not-so-young children building a network in the aftermath of the Joker’s attack, keeping track of the subsequent disappearances and, not-so-secretly, investigating them.

That’s why Duke followed them into a meeting; hidden in the rafters, a voice startled him: “Hey there, little man.”

Duke fell down. Out of breath, he looked for the voice. Older teen, impressively tall and gangly, ginger hair. Staring with open curiosity.

Fuck,” he whispered, heartfelt.



A/N: This week gave me the perfect excuse to hint at some of my pre-reboot, Duke-related headcanons. One day I would've wanted to explore them in more depth, but drabble-writing is a good way to play around with the concepts.

For example, until I sat down and wrote this I had no idea Colin was going to be there LOL. In my head, he's not strictly one of The Robins, but he's... around. Now I get to think about Duke & Colin and what type of dynamic they could have, which is immensely fun.


June recs: 4 SGA fantasy AUs

Jun. 19th, 2026 11:07 pm
schneefink: Teyla and Sora with drinks, laughing (SGA Teyla and Sora cheerful)
[personal profile] schneefink
Cheers for me making the monthly rec post not in the last week :)

Have some SGA fantasy AUs!
(I knew I wanted to rec the first two and then I went looking for more featuring John as Damsel in Distress at one point, but sadly they either were not fantasy AUs or no longer accessible online.)

A Clear and Different Light by [personal profile] sholio and [personal profile] naye
85.4k (+32k sidestories), fantasy AU, McShep + team
Summary: Rodney McKay, raised by a pod of telepathic whales. John Sheppard, mage with fae blood. Teyla Emmagan, rune-scientist. Ronon Dex, winged soldier. On the waystation of Atlantis, they're about to become embroiled in an age-old war against a brutal enemy.
Why I love it: Whaleverse!! I love the whaleverse, and I can never be objective about it; my first posted not-commentfic was an epilogue for it, Respite, because I wanted even more of the beautiful h/c. That was great and also the plot with scary enemies and the worldbuilding and the team feelings.

The Bearskin Cloak by [archiveofourown.org profile] HorridPorrid
59.2k, fairy tale/fantasy AU, Ronon + team
Summary: After everything he's ever known has been destroyed, Ronon stumbles into the magic-thick forests of Atlantis. When he accidentally frees two strangers from a cruel trap, he realizes old enemies still spin their wicked plans. An enchanted prince, a cursed city: Ronon's fight has just begun. (Inspired by: The Traveling Companion by Hans Christian Anderson)
Why I love it: This is such a good fairy tale and adventure, with scary enemies and desperate plots and daring rescues, always a joy to reread.

A new history of Captain John Sheppard, HM Aerial Corps, and M. Rodney McKay, Esq., FRS, with the Captains Emmagan and Dex, late of the West Indies by [archiveofourown.org profile] sheafrotherdon
15.7k, McShep + team, Temeraire AU
Summary: . . . composed from a great number of actual surveys; and other materials regulated by many new scientifick observations of their Affections and Masculine Virtues. Drawn up from the Journals which were kept by the several Commanders, And from the Papers of M. Rodney McKay, Esq., FRS; In One Volume, written by A Lady of Quality.
September 1811, Halifax, Nova Scotia: His Majesty's Aerial Corps stand ready to welcome new additions to their number; an expedition late of the Antipodes.
Why I like it: Very good fusion/crossover, and I love the warm atmosphere.

Damper by [personal profile] michelel72
25.6k, ~urban fantasy AU, Teyla & Rodney
Summary: Teyla Emmagan (C.W.El.E., L.W.M.) and Dr. Rodney McKay (C.W.El.F., Ph.D., Ph.D.) are hired to investigate an anomalous geological development, but they soon learn much more is at stake.
Why I like it: Teyla & Rodney are such an underrated pairing, and this was one of the fics that made me realize that. I really like the character voices, the element-based modern magic system, and the adventure. The epilogue A Few Small Repairs is also great and very warm.
javert: three brown dogs chasing each other in a circle (misc the life i've always longed for)
[personal profile] javert
In fact, I have so many thoughts it was all I was thinking about as I was falling asleep last night LOL. Thankfully horror does not stick to my brain, otherwise I might have had some Backrooms-flavored nightmares or something...

For obvious reasons, this post will contain spoilers for Kane Parsons' 2026 Backrooms movie, the one about the Backrooms. It might also contain spoilers for the YouTube series also by Kane Parsons. I will put it under a details cut to preserve those who have cuts open by default or who might want to comment on this post without getting spoiled, etc.

what if we were holding hands in the backrooms 😳
Okay, so, first of all, overall feelings: I enjoyed it! I had a good time watching, never got bored, and did get spooked a bunch (crushing my boyfriend's hand in the process LOL). The highlight was definitely the backrooms themselves, which I expected coming from Kane "backrooms" Parsons. IMO the first half was the strongest part and it kind of goes off the rails after the POV switch. That's the short of it.

Now for the long of it...

The good:

— As aforementioned, the backrooms themselves were incredible, and the way they were shot only enhanced that. Absolute masterpiece of fucked-up architecture. I loved the references to the most famous liminal space pictures, too: the OG backrooms photo, of course, with one specific shot that reproduces it near exactly, and also that one hotel inner yard with all the windows, and I feel like the part with the street with all the houses was that a bit. You can definitely tell who was behind that aspect of the movie. If I were to rewatch it, it would definitely be for that.

— I liked Clark a lot. I had to chew his character arc over a bit in the aftermath before I fully could appreciate it, but even before that I really enjoyed him, and ofc the performance of Chiwetel Ejiofor, which was amazing. I'll talk about him a little bit later, so I'll stick to this for now.

— The horror vibes were similar to that of the YouTube series (for the most part) in a very effective way. All the parts that were in found footage style were the best parts IMO, but especially when Clark gets Kat and Bobby to go check out the backrooms with him. That last shot, when the monster picks up the camera that Clark left behind while Kat screams at him to look, went so fucking hard.

— It wasn't gory (or not too much). I didn't expect it to be, because the YouTube series isn't either, but I still appreciate it.

— I did like the ambiguous ending a lot, with some caveats (that I will explain later).

The less good:

— I just did not vibe with the therapist that much, and it was kind of off-putting when suddenly she was the main character and Clark was the bad guy. I'm caricaturing a bit, but it still kinda gives off that vibe, IMO. I felt like the flashbacks of her childhood were underwhelming and didn't really endear me to her character that much. The way her story/POV was delivered just did not work on me. From the beginning, when the first therapist office scene happened, I feared the worst LOL. It wasn't as bad as I expected, but still, I don't know. It just wasn't really the angle I thought they were going with.

— Speaking of angle they were going with: I was disappointed by the utter lack of Async lore! The movie opens with an Async video, so I thought it would play a bigger role, especially considering how important it is in the YouTube series, but then it wasn't, really. We get a little more near the end, but by that point I was kind of beginning to check out of the movie (for reasons I will explore in the next point) and it was a bit "too little too late". Obviously this just wasn't what they were going for in the movie, which is fair, but I don't know. Also, I'm not sure if we're supposed to believe Phil is lying at the end or what, but the fact that he says they "discovered" the backrooms when in the YouTube series they pretty clearly created them, put me off. The backrooms being a manmade creation that gets out of hand is one of my favorite part of the Kane Parsons version. Though, like I said, Phil could be lying/obfuscating or he could also be lied to by his superiors. But since there isn't a lot of Async in the movie to begin with, it's hard to tell...

— Like I said in the overall feelings, I feel like it goes off the rails once Mary becomes the protagonist, specifically starting with the dinner scene. I like the dinner scene in spirit; it shows off Clark's final step toward "madness" pretty well, which I'll cover in the next part of what I guess is a review at this point LMAO, but it also (to me) oversteps into... goofiness, to be blunt. I realize the line between horrifying and silly can be thin (especially in this kind of set up) but I guess it just stopped working for me. I didn't mind Clark eating the still lives, or using them as lackeys kinda, though I did mind the numerous close-ups on them that completely ruined the tension/horror IMO, especially the electrician who was genuinely just goofy ahh incarnate. No, honestly, the breaking point for me was Clark opening the fridge and Kat's decapitated head being in there. I just don't get what the point of it was. Like, okay, Pirate Clark killed her. Why is Clark keeping her head in the fridge? Why make her death a cheap, barely scary "jumpscare" when Bobby's death was so well-executed? Then there's Clark scalping the Barbara still life to use as a wig for Mary to replay the earlier therapy scene. The therapy scene coming back was great, the scalp was just too much. And THEN Pirate Clark shows up, and once the initial shock wears off he just... looks ridiculous. He kills Clark and chases Mary and while there's still tension because you want her to survive, I guess, you see him so clearly that it just doesn't work anymore (for me, at least). Like, alright, he's an elongated, kind of deformed version of Clark's advertizing persona. Cool. I also didn't get why he bleeds when Mary bashes his head in. I suppose we find out after that it's a way more "accurate" human copy than the still lives when we see the Async MRIs, which I guess is scary? But I don't know. I liked the design, and the spirit of the design; I just found seeing it so clearly ruined the effect.

— On that last point: that the movie went so hard to explain stuff/make things clear and plain only for the ending to be so vague and open was fascinating, though not necessarily in a good way. I liked the aesthetic of the ending (in general, I loved the shots showing real life locations slowly getting "deprecated" as they kept being copied like a memory you relive over and over) but because the movie had swerved into showing so much of what made it scary, it just felt kind of... out of place, suddenly. (I still overall enjoyed it, though, mostly because the visuals were cool.)

And now, the weather the rest of my thoughts, uncategorized:

I've seen a lot of people, on Tumblr and otherwise, talking about how the backrooms as they are depicted in the movie are meant to be a Silent Hill-style personal hellscape, but that was not at all the impression I got from watching it. I guess I can sort of understand where it comes from: the whole "Clark goes to therapy" thing (and the strong focus on his mental state in general), the fact that he's an architect, the fact that most of the still lives are linked to Clark in some way, and of course the fact that the monster is revealed to be him (or a warped version of him; but he does, explicitly, call it himself when talking to Mary before he incapacitates her). I believe there is a parallel (that he's an architect is not a coincidence) but IMO it is strictly a Doylist parallel. The backrooms are copying what they have available in the area; the movie even calls out that they work like human memories, replicating events over and over until what's left has nothing much to do with the original. I did not feel that the backrooms were targeting Clark specifically; rather, he was drawn to them, and in the process perhaps more of him was incorporated into the design.

TBH, I'm of two minds about the memories thing. I like the idea of the backrooms replicating what they have available; I don't super like that they're not just replicating the physical reality but also, apparently, are influenced by what's in people's minds. Perhaps that's just because it doesn't seem to be the case in the original series though. But perhaps, if we imagine that the backrooms were first created (or discovered) in the 70s, it could have evolved past copying reality and into also copying memories and/or feelings, especially if we take into account that the backrooms seem to be a living being. (About that, I was sad that not only did my good friend Bacteria not feature, the sickness that's implied to exist in the series was also not involved at all, though some of the areas did seem to display the decay characteristic of it.)

Anyway, returning to Clark, I wasn't super taken with how "fast" he seems to make a heel-turn originally, but as I digested the movie I realized that it made sense. He snaps at Mary early on, when they do the roleplay thing for the first time; he stubbornly clings to the furniture store even as it's clearly not working out; he refuses to go back to his wife and resorts to living in the store, despite no evidence that his wife wouldn't just take him back; he pushes and manipulates Kat and (arguably) Bobby into coming into the backrooms with him knowing they're dangerous (and does not warn them of it, either). He's not a good person, but I'm always fond of characters who find comfort in their own issues. That scene of him admitting that he likes being in the backrooms is probably among my favorite non-horror bits. His character arc really worked for me, in the end. Maybe that's why I didn't take to Mary as much in comparison. Mary's flashbacks were interesting and fit the themes and tone of the movie... I just wish they were less nebulous, I guess.

All in all I did really enjoy the movie though, now that it's the next day and I've basically been thinking about it non-stop since then. I probably forgot to cover some of the points I've been musing on... but I think, if you like internet horror, and you don't mind that this isn't innovating the genre or anything (I would say the depiction of the backrooms is definitely innovative re: horror in general tho) I'd definitely recommend checking it out. I'm very glad I got to see it on the big screen.

ETA because I remembered hours later: absolutely fucking crazy to see Ulterior Motives credited at the end, I knew one of the songs playing had felt vaguely familiar in a way I couldn't place and it hit me like a fucking brick lmfao


With that out of the way... it's Friday, so here's a little Friday rundown:

Fridayyyyyyy )


That's all folks!!!! Don't get lost in the backrooms. Or do, I'm not your mom.

Per Aspera Ad Astra

Jun. 19th, 2026 05:32 pm
profiterole_reads: (Inception - Eames Arthur and Girl!Eames)
[personal profile] profiterole_reads
The Chinese movie Per Aspera Ad Astra was a lot of fun! A programmer must get into the dreams of several astronauts to wake them up.

Basically, we get Inception IN SPACE, with awesome visuals.

It's available on Netflix.
malurette: (mad scientist)
[personal profile] malurette posting in [community profile] glyfic
Title: Little details
Author: [personal profile] malurette
Fandom: Star Trek: Deep Space 9
Characters: Julian Bashir, nurse Jabara
Rating: PG / K+
Disclaimer: Paramount's

Author’s note: ESL author with no beta-reader – if you spot any mistakes please do correct me.

Prompt/Continuity: end of Distant Voices yum h/c
follow up from https://glyfic.dreamwidth.org/3013222.html
Word count: 450+

Read more... )
queenslayerbee: Laura Palmer at the end of Twin Peaks: Fire Walk With Me. She's in the red room with those curtains behind her, and the icon shows a close up of her face, illuminated by artificial light, as she has a huge, teary-eyed grin in her eyes. (laura palmer (twin peaks: fire walk with)
[personal profile] queenslayerbee
All the 3SF fics done, now I'll go with a one-shot I wrote, also in 2024, for a Get Your Words Out challenge. I was given two tropes: drunken confessions, but with only one bed. I took a sui generis approach to it :P

Title: empty spaces.
Fandom: DC comics (Batman).
Character/Pairing: Bruce Wayne & Jason Todd.
Rating/Warnings: M, referenced character death.
Summary: The clock marks the start of April 27th, military time; Bruce enters the new day with the stench of alcohol firmly sunken on his breath.
Word count: 1.7k.

read more
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The clock marks the start of April 27th, military time; Bruce enters the new day with the stench of alcohol firmly sunken on his breath.

The second anniversary, despite all the begging and pleading he was subjected to after his behavior on the first one, Bruce had decided to go out into the night. The result had been so disastrous, Bruce walking the line between dangerous to others and dangerous to himself and tilting swiftly into the worst direction of the two, that on the third year, he timed it perfectly to grant himself one night off. He’s already determined this is an indulgence he’ll only allow himself once.

Bruce thought he’d be itching to leave the house. Yet he sits on the stairs, bottle abandoned, and thinks of Dick, who’d come along to take Tim away –he pictures the two of them jumping from rooftop to rooftop, Tim in a Robin uniform, and his stomach twists; a phenomenon somehow unrelated to the toxic liquid he’s filled himself up with.

Maybe Tim will timidly ask Dick to tell him some nostalgic anecdote of times past; maybe, though unlikely, Dick will be the one to openly share it. Bruce wouldn’t know; this is not a topic he and Dick ever touch. Not since that first time.

Alfred is lost in the house, and Bruce won’t bother chasing after him. They each find the other’s presence unbearable, in this day. Instead, his legs move on their own, and they lead him to an empty room.

‘Empty’, as a term, comes short. Emptied strikes as far more accurate, because that’s exactly what Bruce ordered Alfred to do, come that first month of May: to empty out Jason’s room.

The furniture remains, each piece covered in white sheets buried in dust. Bruce removes the one over the bed with a violent yank, and lies his body upon it, looking straight up; like a corpse.

The time after his parents’ death is starkly vivid in Bruce’s memories. He had longed to return to Wayne Manor as soon as possible; there, every inch was wrapped in their presence. To this day, not a single room was devoid from at least one object that was cause for remembrance. Maybe Thomas’s old check book, which he’d been in the habit of using to write himself little notes when he didn’t want to forget a task; or Martha’s baseball card collection, shared with Bruce with the enthusiasm of a true fanatic. Bruce still found, still sought comfort in the echoes of their presence like a kid did on an old, soft, ratty blanket.

There wasn’t –couldn’t possibly be, not then and not years away– any comfort to be brought from Jason’s mementos, and thus Bruce had done away with them. He hadn’t been able to stomach the signs of his passage through Bruce’s life. The souvenirs from their cases were removed from the cave, and Jason’s own room had been emptied out.

All that remains is the old uniform, erected while a reluctant Bruce trained yet another child. A brutal reminder for both Tim and Bruce himself of the stakes. But that’s a monument to Robin; the only piece of Jason is encased in Bruce’s ribcage, sprouting –rebellious, accusing– whenever Bruce lowers his guard.

Abruptly, as if disconnected from his own body, Bruce realizes he’s now choking on drunken sobs. He bites them down, swallows them deep. He curls in on himself, arms in a protective loop over his knees, forcing open the eyelids he hadn’t noticed close.

Bruce remembers how, at first, Jason didn’t let him enter his room. He hadn’t let Alfred either, insisting on cleaning after himself –and all in all doing, if not a good job, a better one than any kid his age should’ve ever been expected to do. It took time to build trust, but by the end of things, Jason had no qualms about Bruce’s presence in his room, and Bruce would’ve been able to describe every corner of it to the minute details.

It's as if the image of that last time he walked in, the smell of fuel and charred skin still glued to his nostrils, remains engraved to his retinas. The built-in closet is in front of the bed, by the door; Jason never kicked the bad habit of not closing the doors properly, much to Alfred’s chagrin. The wall adjacent to it and the one perpendicular to the closet held various posters, mainly of whichever band Jason had most recently incorporated into his personality. The last one to go up was from Siouxie and the Banshees, and the very first Jason plastered against the ocher walls, now faded by neglect, was from Sisters of Mercy. He’d wanted Bruce to listen to those bands with him, and gently, playfully ribbed him for not getting it; asking “what would Bruce know”, when the only music he listened to were those recorded nature noises for meditation, surely.

Jason hadn’t been completely wrong. Bruce didn’t exactly keep up with the trendy bands of his favorite music genres; he has no idea of what poster Jason might’ve put up next.

On the door itself there had been a map of the night sky, each constellation identified by name emitting a soft glow in its stars. Bruce wonders if Jason would’ve ever tired of it, found it childish after a few more years on the house, when he’d once used to enjoy tracing the constellation patterns with his finger.

The one window in the room, looming large, was to Bruce’s right. Under it, pressed to the wardrobe’s wall, there had been a truck, now removed, that Bruce had never betrayed Jason’s trust by opening. On the other side of the window, beside the bed, Jason had requested they’d move a large music equipment in from one of the studios. It allowed tapes and CDs, and connected to the radio, but Jason only ever used it for the eclectic vinyl collection. One once shared by Thomas and Martha, the solace of their ghosts dripping into this room, too. Just like once the joy of meeting Jason, that daring boy he was, had soothed the ache of the anniversary of their loss.

On top of the bed there was a framed painting. It was one of the first things Jason had ever asked him to buy, and certainly the first one that wasn’t a necessity. Jason had stopped in his tracks during a walk with Bruce, and the two of them had taken a moment to watch it being made –a vivid picture of nocturnal wilderness, spray on canvas by a talented street artist. Instead of simply plastering it to the wall as he later did with his posters, Jason had insisted it needed a fancy frame, aged grey wood in strange harmony with the vibrant colors.

On Bruce left there once was a nightstand whose sole purpose seemed to have been serving as the resting place for whatever book Jason was devouring at any given time. Bruce only knew that Jason’s clothes all went to the closet, and that it was never quite full, for that’s not where Jason’s expensive tastes had gone.

Those were reserved, of course, for the bookshelves that stood past the bedside table. They were mounted on a writing desk that occupied the entire wall and part of another, and they were filled to the brim. If pressed, Bruce thinks he could’ve recited every copy, from a handful tattered books Jason brought with him on his arrival to the Manor, to the gold-leaf, leather-bound editions he had fallen head over hills for.

There had been an assortment of knickknacks amidst the bookshelves, a form of sui generis decoration of every useless thingamajig Jason had thought worth keeping. A small, customized music box that played a song from Prokofiev’s Cinderella, the first ballet he’d taken Jason to see. Clark’s autograph, proudly displayed in front of the non-fiction books. A seashell, from the first time Jason ever visited what he called “a real beach”, to Bruce’s utter confusion. A picture of Catherine that he’d later accompanied with a cut-off of Willis’s printed mugshot, trapping it on a corner of the frame.

A small board with the meaning of his name Alfred said he’d bought on a whim, at a flea market he liked to visit to get artisanal products. It’d said “healer”, and Bruce suddenly remembers how Jason had returned from an unauthorized mission with the Titans half-joking about wanting to be a doctor. Bruce had felt Thomas’s presence in his son’s room then, too.

Jason’s computer had sat at the corner of the table, and when he left, some of his class books had still been neatly piled up right next to the lamp at the end of it.

And on the nightstand… Bruce can’t remember, if Jason had left any half-read books on the nightstand.

He holds his head in his hands, fingertips pressing into his skull with a strength bordering on violence. Jason’s room had been a reflection of its dweller, filled to the brim with color and individuality, and Bruce thinks of how he’d wanted nothing more than to excise all of it from his life, to then reflect his own inner state. In at least a small part he succeeded, because he can’t remember if Jason left yet one more thing unfinished. Bruce feels the press of shame atop his lungs for it.

Alfred, nostalgic by nature, wouldn’t have thrown it out. He could put it all back, all of it; Bruce thoughts swirl with a tinge of desperation, imagining the posters and the painting and the books, all placed in perfect order to match. He could put it all back; all, except his boy.

There’s a violent ache in this pain, devoid of the hope of ever reaching a place where Bruce could look back on Jason’s unfairly short life, and on the even shorter –all the more unfair for it– amount of time he got to spend with him, with the tender nostalgia that sometimes visits loss. Would it have been better, to never meet Jason at all? To never feel this?

“I don’t know,” Bruce mutters, as if anyone could hear and judge his plea but himself. “I don’t know.”




A/N: A few notes on some comics canon details that made their way here:

-Martha Wayne as a huge baseball fan, as portrayed in Batman: The Brave and the Bold (2023) #3.

-Jason saying he's "found his calling in life" in The New Teen Titans (1984) #29 and how it sparked my Jason + medical profession headcanons. I encourage anyone who likes the character to read Jason's arc in The New Teen Titans btw. Jason's whole original Robin tenure, really.

-And of course, Batman: Year Three, where Dick notices how Bruce has removed everything that reminded him of Jason from the Batcave. The Robin memorial only appeared later; and it was strongly linked to Tim and his own development as Robin, then becoming that element in the background popping in whenever they want the reader to think of Jason/the possibility of death/how much Bruce's lost, etc. etc.

I think that's all, barring some headcanons sprouting from brief canon moments (Jason's taste in bands during his 80s run, his comments about ballet during Gotham War, etc.), and so on.


NS: John Byrne returning to X-Men

Jun. 18th, 2026 05:00 pm
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[personal profile] cyberghostface posting in [community profile] scans_daily


John Byrne is returning to the X-Men for a new project called ‘ X-Men: Elsewhen’. Byrne describes it as possibly being his final work.

“The stories begin at a turning point that occurred late in Byrne’s original run. In the comics as published, Jean Grey sacrificed her life to save the universe while fighting off the possession of an entity known as the Dark Phoenix. Then editor-in-chief Jim Shooter ordered Jean be killed, a decision that rubbed the artist as wrongheaded and would lead to his exit a few months later. Byrne’s new stories diverge, with her surviving the experience.”

More info here.

(no subject)

Jun. 18th, 2026 08:37 pm
shadowhive: (Pasmay Pretty)
[personal profile] shadowhive
So last night after the post I didn’t do too much, but I did watch the next of the blu rays I’d picked up, Broadcast Signal Intrusion. It’s a tricky one to recommend cause there’s no real explanation as to, well, anything, but on the other hand you have Harry Shum Jr looking pretty.

Today was the trip to the hospital which, well. The hospital trip did feel as I suspected, a lil
Ointless. It was a repeat of the test I had last month and I got the sense from the technician that he was confused I was back (so who noted me to come back I’ve no idea?). Who knows if it shown anything. Personally I don’t see how but who knows.

We did go around town before it though which was more successful, though there weren’t some things I hoped. The War Games Steelbook had been nabbed (yesterday I think), Planet didn’t have the Masters Of The Universe comic (it sounded like they’ve been flying out) and hmv didn’t have the Mandalorian and Grogu soundtrack (poor planning, distribution issues or them selling well?)

However I did get a bunch of things! I got the last He Man from The Entertainer, which yay! I love he! (Should I get skeletor?)

From Forbidden Planet I got two funkos, Embo and Clang (one of the Anzellans) both from Mandalorian And Grogu, cause they’re both awesome. There was a Strnager things tee with the various demos reduced, plus I got a mystery dice goblin bag (with pretty orange dice). There was also a new Funko bitty dungeons and Dragons thing which has a lil Drizzt with a nice d20 (I think it’s the best one of the options). Also there was a Father’s Day promotion so I got a free box of Star Wars socks. Finally Father’s Day pays off!

After the hospital we came straight back home, but then we decided to use the day bus ticket to pop to Morrisons to use various vouchers. I got a Mandalorian puzzle, along with various things to try, though it’s made me tired mostly cause one of the couches (cause I got assigned Argentina in a World Cup thing on the app) was for a 2 litre bottle of their own brand fruit twist.

Pics of stuff here

I’m watching the great Australian Bake Off now and I love the one presenters purple hair. And all the cakes so far look nice

It’s Pride month and I think the only gay thing I’ve watched is Touch Me. I think I’m gonna get back to Heated Rivalry and rewatch Wildhood sometime. (Plus Netflix pride section had some interesting sounding stuff)

(I also need to organise/update icons)

Weekend plan is mostly resting, hopefully watch stuff but mostly just be flop

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